With a legacy of almost four decades at the forefront of the darkwave and goth/rock music scene, Clan of Xymox continues to provide an emotional soundtrack for the dimmest of times, with Ronny Moorings speaking about the band’s new album and life during the pandemic.
An InterView with Ronny Moorings of Clan of Xymox
By Brian H. McLelland (BMcLelland)
Since the band’s formation in 1981, Clan of Xymox has been a consistent and prolific entity in the realms of gothic music. Over the years incorporating elements of rock, synthpop, dance, and darker electronic modes, Ronny Moorings has navigated the band through numerous pitfalls and triumphs to become one of the most respected and beloved names in darkwave. This year’s release of Spider On the Wall marks the band’s sixteenth studio album, presenting the classic Xymox sound in all its varied and emotive glory; with Moorings drawing on more introspective themes, the record presents his inner world looking out with equal parts love and despair. With the COVID-19 pandemic striking in the midst of the band’s sold out U.S. tour, Clan of Xymox returned home to complete Spider On the Wall, with Moorings taking the time to speak with ReGen Magazine‘s Brian H. McLelland about his thoughts on the state of the world in uncertain times facing a grim future.
First off, given your extensive experience and history, what has changed for you and the Xymox sound with this album?
Moorings: Nothing much in a real sense has changed. The sound of the new album is the way I feel it should be in this day and age. Maybe some songs I made are more minimalistic. The feel is a fresh one for me. It became a very versatile album. I can say that there was no pre-planned concept (there never was). The songs come out as they are and that is the way I like it, which is best. It is an honest record, which fans picked up on.
The press release for Spider On the Wall says that the album is an ‘artistic triumph for the band.’ In what ways do you think that’s true? In other words, what about this album sets it apart from other Xymox albums?
The first single, ‘She’ is beautiful and one of the strongest Xymox singles. Could you talk to us a bit about what went into its creation?
Moorings: The song started with the beat, bass, and guitar line. The rest came very quickly. The song is about being alone. I felt it was an instant dance floor filler. It proved when we played the song live to be an enormous success.
How, if at all, has the COVID-19 pandemic affected you and your creative process?
When you think back to all the shows you’ve played, which one stands out to you and why?
Moorings: That would be Mera Luna in Germany, playing open air for 30,000 people. That seems now almost a far and unrealistic dream. Luckily, I can look back to a lot of great shows and places. Also, Mexico City comes to mind with an equal amount of audience in a stadium. In a way, there were so many fantastic shows with each having their own unique flavors. I would not have wanted to miss any of it!
What does the end for Clan of Xymox look like for you?
Moorings: Nothingness… black matter… the end of meaning in my life.
The new record is, refreshingly, not overtly political. How have you managed to keep your personal political viewpoints from influencing your music?
Moorings: I was never so much on political topics. Once in a while, something pops up, but I mainly stick to personal feelings and relationships.
What comes next for you and the Clan?
Moorings: Hopefully a lot more shows in the future. So far, all seems very uncertain and there is only so much you can do as a musician. I fear for the end of culture as we know it. Time will tell how it will pan out. I know I will do anything to make things happen again.
What legacy would you like for yourself and the band?
Moorings: I think I already left a legacy, but will continue to build further upon it when possible.
What are you enjoying right now? This could be anything – music, film, life. What brings you peace and joy at the moment?
Photography provided courtesy of Clan of Xymox