The maestros of machine rock return from a thankfully not-quite-permanent hiatus, as Eric Powell and Erik Gustafson initiate the third wave of 16volt with a new album, The Negative Space, in the works!
An InterView with Eric Powell & Erik Gustafson of 16volt
By Ilker Yücel (Ilker81x)
While 16volt was declared disbanded almost two years ago, the band has since reformed… what prompted 16volt’s resurrection this time around?
Powell: I think I just found myself realizing again that 16volt is who I am. Sometimes, we just need to breathe and I just needed a minute to let go and do something different. At the end of that breath, I think it allowed 16volt to come into a new era and we can all feel that.
Gustafson: I was first brought into the fold with Black December. I’ve always been a 16volt fan, so it was pretty cool to hop into this totally new thing, yet with Eric Powell. That totally new thing also meant no expectations, so it’s not like I ran the risk of totally train-wrecking ‘The Cut Collector’ or something. (Laughter) But yeah, back to 16volt, at least for me, meant actually learning classic songs I was familiar with, and then also some of the newer stuff (the Beating Dead Horses album) I was not as well versed with, so diving into that was fun.
What can you tell us about the band lineup and how it came together?
How did Steve Hickey come to be the bass player?
Powell: I’ve known Steve for years and he’s toured with us several times as a stage tech. With a void existing in the bass position, he was an obvious choice. He’s an incredible musician and, again, an amazing person – super giving and ready to go to work and just a great person to be on the road with. He already knew the songs and he’s a great vocalist, so it all just made sense.
Does this mean now that Black December is no longer active, or will that band’s lineup continue as a separate entity?
Powell: As far as I am concerned, that project is done. I have no desire to continue with it.
What do you feel you learned – either technically, musically, or personally – from the experience with Black December, and how do you feel it’s strengthening your resolve for the 16volt resurrection?
Gustafson: I personally was happy to have had the Black December experience first. It was a primer for me for the world of 16volt and what to expect. Plus, it was a hell of a lot of fun to play those shows first shows with KMFDM. I was also at the time a tech/stage manager for CHANT for part of that tour, which was insane – too many hats to wear. (Laughter)
Now that 16volt is back and performing at Terminus and at ColdWaves, what do you foresee in 16volt’s future as a live unit? In other words, what do you feel you’ve actively changed from the way you’ve performed live in the past?
Having performed at ColdWaves I and II, and now returning for V, is there anything you’d like to say regarding your association with this prestigious and important event? Besides celebrating the life of Jamie Duffy, what do you feel has best distinguished ColdWaves from other similar festivals that you’ve participated in?
Powell: Well, I think hands down, it’s about location. Chicago is the mother of this music. So it’s an obvious place for us to all go home to and get together and kill it for the fans. It’s a great city, the fans are great, and it’s just natural to do it there; especially at Metro. The history is so deep. It truly feels special, and important, and humbling, and an honor to be a part of.
Gustafson: Personally, I’m super stoked to attend, and also, the bonus is I get to play ColdWaves! I’ve always been a fan of Acumen Nation/DJ? Acucrack, so this event is important indeed.
You recently held a crowdfunding campaign, and it’s been five years since Beating Dead Horses… will we see a new release soon?
So besides the upcoming festival appearances, what’s next for 16volt?
Powell: We are just booking a bunch of shows all over and getting out and playing!
Photography courtesy of 16volt