Harbor East Landmark Theaters, Baltimore, MD – 09/06/2015
Once upon a time, just going to the movies was an event in and of itself; from the traditional snacks of peanuts and popcorn sold and passed around like at a sporting event to the opening reels of trailers for upcoming features, from the double bill of multiple features to the introductory overtures and intermissions akin to a musical concert, going to the movies was as special an engagement as any. In the age of the multiplex and home theater systems, this has become something of a lost art. Enter the creative team of writer/producer/artist/performer Terrance Zdunich and director Darren Lynn Bousman, who with a multifaceted and vast assortment of collaborators has brought us the subversive, campy, and fantastical musical productions of Repo! The Genetic Opera and The Devil’s Carnival. Blending elements of horror, sci-fi, and goth/industrial fashion and music, these two outings have garnered a considerable fan base that extends across various genres and age groups.
Starting up a new website is no easy task, even for a veteran like Patrik Lindström, co-founder of prominent netzine Brutal Resonance, but with Electroracle.com, he is making strides to create and instill a greater sense of community for the electro/industrial music scene.
The State Theatre, Falls Church, VA – 07/31/2015
There are few things more gratifying than when a band survives for any length of time despite overwhelming opposition from the natural flow of time – a flow that brings with it changes in technology, the industry, and the very audience. For over three decades, the Ultra-Heavy Beat has been going strong and with the 2015 Salvation tour, KMFDM is showing no signs of losing steam any time soon. [..]
When ReGen Magazine published its listing of the Top 20 Albums of 2014, featuring Cocksure’s much revered TVMALSV debut in the #2 position, Jason Novak referred to the list as “the stuff of intelligence, taste, and a great attitude towards edgy and dark music, crossing through different styles and sounds, all the while respecting a common theme.” This writer can think of no better description for a certain music festival spearheaded by Novak and WTII Records’ David Schock, held in Chicago every September as a celebration of the life of producer/musician Jamie Duffy and the music he loved and helped to create: ColdWaves. [..]
KMFDM – the multinational industrial/rock collective that continues after three decades to be one of the defining voices of a generation (or perhaps two or three by this point) with an aggressive mix of hard rock riffs, energetic rhythms and bass lines, and sardonic, politically-charged lyrics that range from bitter cynicism to self-effacing humor. In 2013, the band celebrated “29 years of conceptual continuity” with not one but two tours, the latter of which was the 30th Anniversary We Are KMFDM tour [..]
For three decades, the name of Front Line Assembly has been synonymous with underground electro/industrial music; renowned for innovative production techniques that blend cinematic soundscapes, pulsating EBM rhythms and bass lines, and aggressive yet subtly melodic song structures, Bill Leeb and his revolving door of collaborators have given voice to a generation and a style of music that remains as vital as when it first emerged in 1986. [..]
The Fillmore, Silver Spring, MD – 05/05/2015
In 2009, MINISTRY embarked on the C.U.LaTour, riding on the wave of what was then purported to be the final album from the band, The Last Sucker. It perhaps might have been a fitting conclusion [..]