The Metro, Chicago, IL – Friday, 09/29/2017
Five years after the departure of Jamie Duffy, the sixth entry in the Chicago ColdWaves event perhaps bore some of the deepest scars in the fight against depression and suicide. As ReGen associate John Galope had stated in the Digressions podcast, “dark music for people with dark thoughts,” more than adequately describing the varying styles of industrial, goth, electro that encompass this music scene. But this year, the reverberations of that statement extended into wider territory [..]
Slighter – the electro/industrial project of Colin Cameron Allrich – has announced the September 25 release of a new album, titled Erode, via Confusion Inc., with a deluxe edition available exclusively on Bandcamp. The deluxe edition of Erode, which will be released in digital download and CD formats, includes a bonus track and five remixes, including one by renowned musician/producer Keith Hillebrandt (ex-Nine Inch Nails). “I was very excited to work on a remix finally with Colin, as we’ve been talking about this for a while,” Hillebrandt stated, further commenting that his Error’d Out mix of “Error” was “really perfect for the type of remixing I like to do – complex, deep sound source with a lot of guitars for me to manipulate.” [..]
Here’s a thought experiment worth investing some time in:
First, let’s consider that from 750 AD on, Arabs kidnapped, killed, and stole Africans. Starting in 1441 or so, Europeans kidnapped, killed, and stole Africans for nearly 450 years. In the colonies, we tend to think that it began in 1619. But by then, there were millions of enslaved Africans in Cuba, Haiti, Brazil, and all over the American territories. Africans were killed and left to die in the act of acquiring them and war and village raids were core sources of that acquisition, leaving sometimes three times the number of people taken, dead.
Chicago electroscuzz band GoFight continues its ongoing campaign against tyranny and bigotry with the release of a band new single and music video, titled “Pussy,” making its debut on January 20, the day of the U.S. presidential inauguration of Donald Trump. Offered as a free/pay-what-you-want download as part of the band’s “Donation Ware” platform, all proceeds from the single will be donated to the ACLU – The American Civil Liberties Union – with the band encouraging listeners to develop or continue a relationship with the organiztion during the Trump presidency. [..]
The Metro, Chicago, IL – Saturday, 09/24/2016
Not nearly enough good can be said about ColdWaves, Chicago’s yearly event celebrating the life and music of Jamie Duffy, raising funding and awareness for suicide prevention, and providing a communal experience for what has often been referred to as the “biggest smallest scene” – industrial/rock. Taking inspiration as much from the more atmospheric, experimental, and purely electronic styles that underlie virtually every permutation of the genre and infusing them with the tonal and lyrical heaviness that pervades alternative rock and metal, ColdWaves has done well to represent all of these disparate elements in equal measure, with past events often dividing the focus among its various nights – i.e., one night would be more rock-centric with the other night more on the electronic side. While ColdWaves V maintained this arrangement, the variety of bands on display at this year’s event blurred the lines between these divergent styles further than ever; while it can be said that the first night was more centered on the electronic and poppier aspects, all of the bands exhibited an energy and dynamism on par with the more guitar-oriented rock stylings that this second night presented. Not to be outdone by the first night’s roster, the acts that took to the stage at the Metro on Saturday seemed determined to give the audience a powerful and memorable helping of industrial/rock.
The Metro, Chicago, IL – Friday, 09/23/2016
“I can’t believe it’s the fifth year.” Such were the words uttered to this writer at this year’s ColdWaves V in Chicago, the fellow patron’s face bearing the simultaneous traces of astonishment at so monumental an achievement and sadness for the circumstances that brought the event about – the passing of Jamie Duffy, one of the Windy City’s most beloved and celebrated musical personalities. Having earned a formidable reputation on and off the stage, in and out of the studio, Duffy’s life and music helped to shape what we now think of as the underground industrial/rock scene, his skills having served to strengthen both longtime veterans and up-and-coming acts. Carrying on this legacy, ColdWaves has served as a platform not only for new and burgeoning bands to make their mark but also for long defunct legends to reunite and remind audiences of the music that created this scene, with this year’s events heralding some of the most anticipated performances from both ends of the spectrum.
On August 16, 2016, Kate Van Buren announced that her ex-husband, James Woolley had passed away over the prior weekend. If that name sounds familiar, it is rightly so – he was perhaps most widely known as the keyboardist for Nine Inch Nails, having served in the band from 1991 to 1994. If you’ve seen the music videos for “Wish” and “March of the Pigs” or perhaps glanced at some live clips of the band from Lollapalooza, then you’ve seen him in action… but his contributions to music don’t end there. He was a major collaborator with fellow industrial bands Die Warzau and Sister Machine Gun, and even toured with the short-lived band 2wo (y’know… that time Rob Halford of Judas Priest went industrial with John 5). To say that he was a key player in the development of the industrial music scene during one of its most productive and creative periods would be an understatement, but as is usually the case with any artist, revered or unsung, it doesn’t come close to telling the whole story… but even I won’t attempt to tell that story here; for that, and to know what a loving human being he was, you should read the Facebook post from Kate Van Buren. And if that’s not enough (and it never really is when we remember the kind of impact any person makes on us), Jim Marcus has shared with ReGen his thoughts and memories of the man James Woolley was… [..]