Nov 2017 21

Circle of Dust teases upcoming sixth album with new single
 
Circle of Dust - Dust to DustAfter the momentous return of Circle of Dust with 2016’s Machines of Our Disgrace, Klayton now proves that the resurrection of his first major musical outing was no one-shot event; with the band’s yet to be titled sixth full-length studio album currently in the works, Circle of Dust will be closing out 2017 with the new single, “Dust to Dust.” [..]

Nov 2017 21

Davey Suicide premieres new music video, announces tour dates
 
Having independently released the Made from Fire album earlier this year, dark rock group Davey Suicide has premiered its latest music video for the track “Torture Me” on Loudwire. “A lot of what fuels my life is also the downfall of it, states front man Davey Suicide of the song, “That dynamic brings out the worst and best in me.” Directed by Vincente Cordero of Industrialism Films, with additional direction and concept from drummer Drayven Davidson, the video features model Stefanie Joseph seductively taunting Suicide with various weapons and power tools [..]

Nov 2017 17

Amanda Palmer releases Pink Floyd cover, music video "dedicated to the current administration"
 
Amanda Palmer has released an emotionally charged and visually striking video for her plaintive cover of Pink Floyd’s “Mother.” Palmer enlisted a tribe of women, from director Jordan Rathus and choreographer Coco Karolspins to fellow musicians Zoë Keating and Melissa Auf der Maur (Hole, Smashing Pumpkins) to create her vision of a dystopian fable celebrating the strength of love, hope, women, and motherhood set against a haunting string arrangement by her longtime friend, composer Jherek Bischoff, performed by an all female quartet. [..]

Nov 2017 17

Mute Records and Throbbing Gristle celebrate their history with a pair of Rough Trade events
 
Mute Records celebrates its series of reissues and the publication of the label’s hardcover history, Mute: A Visual Document, with special events on both sides of the pond. Label founder Daniel Miller and artist/photographer Anton Corbjin will be joined at London’s Rough Trade East by friends of Mute for a panel and Q&A at the book launch on November 21. In addition, Brooklyn’s Rough Trade will host a special Q&A and signing with Throbbing Gristle’s Genesis P-Orridge on November 24; the event marks the 40th anniversary reissue of the groundbreaking industrial group’s debut album, The Second Annual Report. [..]

Nov 2017 17

Autumn returns after 18 years with new single, announces new album
 
Autumn - The FallAfter an absence of 18 years, Minneapolis goth/rock band Autumn has returned with a new EP, titled The Fall. The trio’s first release since the 1999 sophomore album Return to the Breath, the three track EP presents a more refined version of the band’s ambient and expansive sound, one again produced by the renowned William Faith and mastered by Chad Blinman, both returning in their respective roles from Autumn’s 1996 debut The Hating Tree. Bassist Jeff Leyda explains that The Fall “is about transition, both for the band’s sound as well as our personal lives; love, loss, hope,” further stating that “our voices seem a little more confident this time around.” [..]

Nov 2017 17

Second of four music videos from latest dreDDup album released
 
Serbian industrial/rock act dreDDup has unveiled the second music video for the group’s seventh studio album DeathOven: Rebels Have No Kings. Showcasing the band donning masks inspired by ’50s monster movies in a black & white photographic setting, “Zelia” sees the band experimenting with blending lyrics in dreDDup’s native Serbian with English [..]

Nov 2017 16

Virgil and Steve Howe releases music video, father paying tribute to son
 
Yes guitarist Steve Howe pays tribute to his late son, Virgil Howe, with the release of a video for “Leaving Aurora,” a track from the collaborative album Nexus, which the duo finished recording shortly before Virgil’s untimely death at age 41. The elder Howe states describes the process by which he and Virgil created Nexus as having gone from “straightforward ‘duets’ to something bigger and better, more of a complete picture than a mere shape.” [..]

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